Wildly and inappropriately funny yet heartfelt, Avenue Q is a must see musical that will have you laughing and singing unsuitable songs well after you’ve left the theatre.
The musical charts the stories of the inhabitants of Avenue Q, just as newly graduated Princeton moves in. Quite rightly wondering “What Do You Do with a B.A. in English?” (I’m still trying to work that one out), Princeton is bright-eyed but a little lost, as he meets his neighbours; closet gay Republican Rod and his slacker roommate Nicky; porn enthusiast Trekkie Monster; therapist Christmas Eve and her fiancé Brian; singleton teaching assistant Kate Monster; and Gary Coleman…yes, that Gary Coleman.
Sounds like a pretty run-of-the-mill play until you realise some of the neighbours are human, some puppets and some, well, monsters. Oh and of course there’s frequent visits from the bad decision bears, a duo who encourage some rather dubious actions. Think a parody of Sesame Street, which goes rogue than last year’s disastrous movie flop The Happytime Murders (which was clearly going for an Avenue Q style, but fell far from the mark and felt more like a knock off from the market than anything else).
The puppeteers who play Princeton, Kate, Nicky, Trekkie, Rod and the Bad Idea Bears are visible right along side their puppet counterparts; rather than ruin the magic, being able to see the actor’s facial expressions just adds to the emotional weight of the story, particularly Cecily Redman’s Kate Monster and Tom Steedon’s Nicky. It’s certainly worth watching the performances from the actor-puppeteers as much as it is the characters they’re performing with.
Sixteen years on from its first performance, the themes of Avenue Q feels just as fresh and relevant today as then – or at least since the first time I saw it a few years back. Whilst satire might be the life blood of Avenue Q, but the show has a lot of heart. The musical tackles emotional subjects like racism, homosexuality and feeling a bit lost in the world with sincerity, whilst simultaneously making you laugh so much the muscles in your face hurt.
The songs range from the hilarious through to the heartbreakingly emotional; “The More You Ruv Someone” is endearing and Saori Oda delivers a powerful performance, as does Cecily Redman’s Kate Monster in “There’s A Fine, Fine Line”. There are also plenty of hilarious songs, including the earworm-friendly (and guaranteed to be stuck in your mind for days) “The Internet Is For Porn” and “You Can Be as Loud as the Hell You Want (When You’re Makin’ Love)”, the latter of which includes an x-rated puppet scene – child friendly, this show is not. But by god it’s a lot of fun.
Avenue Q is at the Alexandra Theatre in Birmingham from Tuesday 12 to Saturday 16 February 2019. If you fancy an extra special Valentine’s Day, they’re doing an offer of two tickets for £40, plus a glass of Prosecco each (Bands A & B, 14 Feb only, must be booked in pairs), using the code: LOVEQ. To book, visit the website https://www.atgtickets.com/shows/avenue-q/alexandra-theatre-birmingham/
I was invited as part of a press event Photos belong to Matt Martin.